Let’s gossip. ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ 
All Things Words  | Writing and Editing
 

Hello from the Writing Table!

Where I am neck deep in reporting for an upcoming story on a rural hospital in my hometown and neck deep in rewrites for my book. Same story, different surface. Except this surface also comes with drop cloths and sawdust and piles of books and papers and to-do lists I should really stop ignoring, but who knows what’s real any more because everything is out of place and my deadline is looming and my god, how I can’t wait for that bath tub that I’m supposedly going to be getting out of all this, that deep, deep tub, deep enough to fully sink into with a little tray of chocolate and wine and a book balanced across the edges—

There’s a metaphor in here about how editing an essay is a lot like remodeling an attic and writing a book is a lot like building a house, but I’m too salty and covered in sawdust to go there right now. So, for now…

Let’s gossip.

 

Writer’s Ask: Should I dump my agent?

This question comes courtesy of a tender writing pal who has been going through it with their agent for the past couple of years.

I would like to submit my novel to a contest that comes with a promise of publication if I win. But I’m still represented by AGENT. They are not currently submitting the novel anywhere (they already shopped it around and got nothing) and are “anxiously waiting” for my next thing. They’ve refused to submit my work to small / indie presses that I’d love to be published by.

The agency agreement we signed reads that they are my “exclusive agent” for one year after signing with them, and that if any publishers offer on my work and I accept those offers, the agency will handle all negotiations and be the “agency of record” on any publishing agreements.

NOW, we signed this agreement in 2022, which puts me outside the 1 year exclusive… But am I grasping at straws and still should not submit the manuscript on my own?

Further… Should I dump this agent?

Signed,

I Should Probably Dump This Agent

Dear Should I,

First, since you are outside of the one-year exclusive, you are likely in the clear to operate on your own. However, always better to be safe than sorry. So first thing to look at: is there a termination clause in the agreement?

Typically, agency agreements will have some clause about how either party can terminate the agreement (read: dump each other). Some clauses may say that either party can terminate the agreement so long as they notify the other in writing. Some say that you must notify each other in writing and wait 90 days or some other period, etc. Some will say that agreement is automatically terminated after a period of time, such as a period of exclusivity, if no sale is made. (Note: if a sale is made and the author wants to terminate after the negotiation of that sale, the agent may still be entitled to their compensation even though the relationship has ended.) So first thing to do here is to look at that termination clause in the contract.

Now, Should I Dump Him did look at their termination clause and found that the contract states that either party can terminate the contract after the period of exclusivity. The exclusivity period is officially over, so the author is free to terminate. Depending on your relationship, you may opt to ask for a phone call and break it off then or you may opt to just send an email notifying them of your intent to terminate the agreement as per the contract. All’s fair in love and war, etc.

But maybe you’re conflict-averse and you’re wondering… But if the period of exclusivity is over then why do I need to notify for termination? Can’t we both just walk away and pretend this never happened? Especially if it’s clear that neither of us really want to be in this relationship anyway?

No! I mean yes, you could, but you shouldn’t for the same reason that you shouldn’t just ghost someone you’ve been dating for months on end. It’s not polite and it’s messy and we don’t do messy around here.

Because here’s the thing — if you do the work of finding yourself a publisher and then you have a publishing contract to negotiate and you have a dangling pseudo-agreement with an agent you don’t really like or trust to have your back, then are you obligated to have them negotiate that contract for you? It’s not clear. Is it ethical to seek a new agent’s input when you could still be considered actively working with your old agent? Definitely not. Messy, messy, messy.

But he hasn’t dumped me yet! Doesn’t that mean the agent believes in me?

Maybe. It could also mean that the agent is letting you get frustrated and cut things off first because they’re conflict-averse too (not a good quality in an agent) or they’re overriding your wishes because they think they know better, want more money, just don’t care (also not good qualities in an agent).

OR they could be waiting for you to do exactly what you’re doing right now: their job.

The agent’s job is to find you a deal. And not just any deal, the best deal for your career. And not just any career but the kind of career you want to have. And here you are finding yourself a deal, a great deal, a deal that builds the career you want to have, and what do they then get to do? Negotiate the terms and collect their 15%. No homework or hustling needed, because you did it all for them.

Does this sound cynical? Hell yeah! Is it realistic because we live in a capitalist society that bows down to the almighty dollar? Hell yeah!

Look. In a perfect world, the agent is supposed to be looking out for your best interests. And 99% of the time, they do. But agents are humans too, humans who are living on commission in a publishing industry that is squeezing money from artists and their cohorts like blood from a lemon.

Period of exclusivity aside, you clearly feel in your heart that you should move on from this person. You are eager to make career moves; they are not eager to help you in these moves. You have an idea of what you want this career to look like, and they are not in alignment. Life’s too short. Dump him.

Because the other thing to remember is—if you are free and clear and you find yourself a publishing deal with no agent, you can then reach out to your agents of choice and ask them for representation with a deal already in hand, thereby increasing your likelihood that you will end up with the agent of your dreams, the one that knows what you want and supports it, that has your best interests at heart (interests that aren’t just monetary), and that you will want to stick with for the long haul.

Should you dump him? Yes, you probably should.

And you’ll be just fine.

xo,

Lisa

 

Class Is In Session

IGNITE! A Writing Camp For Adults
Jumpstarting a Writing Practice
Monday, June 17 | 6-8 PM Central
In Person | 2811 Dogwood Ave in Nashville

This summer, set your creative spirit ablaze with IGNITE!, the Porch’s
inaugural Writing Camp for Adults, to take place in the evenings on the week of June 17. You're welcome to attend all five sessions or opt for individual drop-in sessions as you prefer.

Each evening, Monday through Friday, immerse yourself in transformative sessions led by a diverse lineup of instructors, each bringing their own innovative and possibly intersecting approaches to the craft of writing. This camp caters to enthusiasts of all genres, aiming to motivate, inspire, and perhaps most importantly, to move you from inertia to action. The grand finale? A celebratory open mic night in our cozy backyard setting, where participants, instructors, and community members alike gather to share and revel in the week's harvest of words—all over refreshing drinks and light fare.

LINE-UP:

• Monday, June 17, 6-8pm: Jumpstarting a Writing Practice with Lisa Bubert

‍Learn how to start and sustain a writing habit that can withstand the tests of time and distraction.

• Tuesday, June 18, 6-8pm: The Art of Observation with Lauren Nossett

Unlock the potential of your everyday observations to enrich your narratives with vivid detail and life.

‍

• Wednesday, June 19, 6-8pm: Stronger Together with Meredith Lyons

Discover the strength in creative collaboration, and how working together can lift your individual writing to new heights.

‍

• Thursday, June 20, 6-8pm: Rinse Out the Shame with Minda Honey

Explore writing as a means of confronting and cleansing personal and shared shame, liberating your true voice in the process.

‍

• Friday, June 21, 6-8pm: Focus & Flow with Melissa Jean

Embrace mindfulness in your writing to foster focus, flow, and a deeper connection with your creative projects.

‍

• Friday, June 21, 8pm onwards: IGNITE! Open Mic Night

Wrap up IGNITE! Writing Camp with our Open Mic Night—a free event open to all. This celebration under the stars in The Porch’s backyard features a mix of stories, poems, and more, shared by a diverse group of voices. IGNITE! participants get priority sign-up, but all levels and genres are welcome. Enjoy drinks, refreshments, and the camaraderie of fellow writers. Whether you’re sharing or cheering on others, join us for an evening of community and creativity.

Sign up here!

 

Send Me Your Edits!

I’m STILL itching to get my hands on some more editing work.

I would love to get some manuscript critiques in the queue. If you have a novel draft you’ve been kicking around and want some feedback on, I’m your gal. Generally I charge .015/word for manuscript critiques but for you, my friend, I’ll knock off 10% of the total price if you mention this newsletter.

I’m also hungry for some developmental editing (.025/word) and some line-editing (.04/word) and will also still knock off 10% if you mention this article. (What is the difference between these types of editing, you ask? Explainer here.)

 

Gig Opportunity


SEEKING: A writer’s assistant for Nashville-based interdisciplinary artist and writer, Nina Adel.

Applicants must be thorough, skilled in organization and time management, passionate, committed, research-savvy, and willing to stay curious and agile as they respond to new opportunities/ projects as well as find new opportunities/ projects to bring to Adel. Alongside familiarizing yourself with her work and extensive catalog of pieces, it’s vital to remain on top of integrating new pieces into the submission rotation that you’ll be responsible for every month. Ideal applicants include those well-versed in navigating Google Drive and various document types, proficient line editing skills, and a knowledge of the literary and publishing scene, preferably as it relates to hybrid writing, trans-disciplinary projects, and performance artistry as well.

If interested, please inquire further via Nina.adel.writer@gmail.com with your resume and availability for a brief phone interview. 

(Note from Nina: Pay is currently $30 per hour for approx 10 hours monthly. Bonuses apply when grant and similar funds are produced from the work.)

! Access the Newsletter Archive !

One final word — it occurs to me that people new to the newsletter might like to be able to read past issues. All past issues of the newsletter are available here.

 

Parting Shot

While replacing our roof, it rained. And as it rained, the plaster in our bedroom disintegrated. Fun times! Now we have Mr. Cougar, a jaunty fellow who sits upon a barstool picking his foot. He hovers over my head in bed and sometimes when I wake up in the night, I think it’s a terrifying ghost. Things are great! Why do you ask?

 

Until next time…

(Psst… Like what you read in this newsletter? Toss a tip in the virtual tip jar.
Venmo: @lisa-bubert)

All Things Words  | Writing and Editing
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All Things Words, Lisa Bubert, Nashville, TN , USA

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