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      <h2 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:2.3685930369999997em;mso-line-height-alt:2.3685930369999997em;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">Hello from the Writing Attic!</h2><p class="" style="color:inherit;margin-bottom:1.25em;font-size:1em;line-height:1.618em;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;">You guys. My third place is back. You know, that place that’s not home or work and where you can reasonably be found when you’re not at home or at work? For me, that’s a coffee shop near my home. Before the pandemic, I would be at that coffee shop every single weekend, the table littered with pages. And when the pandemic ramped up, they shut down and hadn’t reopened for in person dining—until recently. </p><p class="" style="color:inherit;margin-bottom:1.25em;font-size:1em;line-height:1.618em;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;">People. I walked down to that coffee shop, set up camp with a draft that had been eluding me, and got to work like it was old times. I don’t what it is about spaces, writing magic, or the way my brain works, but sometimes I feel like I can only edit myself when I’m in my third place. And I’m so, so glad it’s back! </p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;font-weight:normal;margin-bottom:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;">Cheers to third places or second desks or early morning attics or wherever you hang your non-work, on-home hat. Now let’s gossip. </p>
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      <h3 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:1.776889em;mso-line-height-alt:1.776889em;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:0em;">Submission Success Story (Pitch Perfect Edition) —<a href="https://www.businessinsider.com/a-21-year-protest-to-take-down-a-confederate-monument-in-texas-2021-6" target="" rel="nofollow noopener noreferrer" style="color:#0e8ac4 !important;"> “One man’s 21-year protest to take down a Confederate monument” </a>for Business Insider</h3><p class="" style="color:inherit;margin-bottom:1.25em;font-size:1em;line-height:1.618em;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;">So lol you haven’t lived until you publish your first long-form political journalism story (having had no training in political journalism thus far) and see it go viral. </p><p class="" style="color:inherit;margin-bottom:1.25em;font-size:1em;line-height:1.618em;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;">This was a story I always carried in the back of my mind that would make for a really interesting long-form piece, but I never felt like I had enough J training to make it work. But if you know me, you know I tend to pitch first and ask questions later. </p><p class="" style="color:inherit;margin-bottom:1.25em;font-size:1em;line-height:1.618em;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;">When the pandemic hit, I wrote up a pitch for this story, thinking I finally had time to do it justice. I had also taken a reported nonfiction class with The Porch (Fall classes are now live with <a href="https://www.porchtn.org/class/pitch-perfect-writing-for-publication" target="" rel="nofollow noopener noreferrer" style="color:#0e8ac4 !important;">one featuring yours truly</a>!!) and felt a little more empowered to give it a whirl. </p><p class="" style="color:inherit;margin-bottom:1.25em;font-size:1em;line-height:1.618em;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;">I started pitching the piece right after the statue got taken down, trying to capitalize on the timely nature. I pitched. And got denied. And pitched. And got denied. Eventually, it was no longer timely. Sigh. </p><p class="" style="color:inherit;margin-bottom:1.25em;font-size:1em;line-height:1.618em;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;">I let it die a slow death—until I saw a tweet from an Insider editor calling for profiles of lesser-known individuals, political stories, and local movements, all of which fit the bag for this story. And better yet—the year anniversary of the statue’s removal was coming around, giving me the timely peg I needed. So I pitched—and got a bite with Business Insider.</p><p class="" style="color:inherit;margin-bottom:1.25em;font-size:1em;line-height:1.618em;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;">Here are the details: </p><p style="color:inherit;font-size:1em;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.94;margin-top:0pt;margin-bottom:0pt;" class=""><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">The Pitch</span>:</strong> </p><p class="" style="color:inherit;margin-bottom:1.25em;font-size:1em;line-height:1.618em;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;">Hi E—,</p><p class="" style="color:inherit;margin-bottom:1.25em;font-size:1em;line-height:1.618em;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;">I saw your tweet that you are looking for profiles and encouraging freelancers to reach out and introduce ourselves. So hello!</p><p class="" style="color:inherit;margin-bottom:1.25em;font-size:1em;line-height:1.618em;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;">I am a freelance writer and librarian in Nashville, TN, but I lived for twelve years in the college town of Denton, Texas. A story unfolded there last summer (and the anniversary is soon approaching) that I think would be of interest to Insider.<br><br>Since 1918, a Confederate statue has stood on the town square of Denton, Texas. Last June, after decades of debate and division, the Denton County Commissioners Court voted to have the statue removed, thanks in large part to the efforts of one Black resident, Willie Hudspeth, who spent every Sunday evening for the past twenty years protesting the statue, alone.<br><br>Placed there by the Daughters of the Confederacy, the statue featured two separate but equal water fountains and an arc over the square’s entrance inviting people to walk through it as if they were walking into the past. For over twenty years, Mr. Hudspeth picketed every Sunday at 6:00 pm with his lawn chair and signs. People would honk, curse at him, call him names. In 2015, a young White man carrying an assault rifle accosted Hudspeth at the statue. He was neither arrested or charged. In 2018, Denton County leaders voted, not to remove the statue, but to place a plaque next to it denouncing slavery with a video component to explain the city’s racial progress. (This never materialized.)<br><br>But in June 2020, buoyed by the recent protests of George Floyd’s murder, the Court voted to remove the monument in its entirety, and did so in the dead of the night on June 25th. But Mr. Hudspeth was still there to see it, come hell or high water.<br><br>Denton, Texas is known as a liberal dot in the middle of a conservative North Texas. It boasts two major universities and is home to a world-class jazz school. It was the first city in Texas to ban fracking within city limits—a move that swiftly resulted in the State of Texas issuing legislation prohibiting any city to ban fracking within their own city limits. But even with the higher education institutions, the preponderance of artists and musicians that owe their livelihood to Black culture, the Confederate statue stood like an open secret to remind everyone where the loyalties lied, and served to erase Denton’s troubling history with its own Black population.<br><br>I would like to write a profile on the work of Willie Hudspeth, his success with his decades-long crusade to have the statue removed, and a quick primer on the reality of Denton’s troubling Black history. As this coming June will be a year on from the removal of this statue, I would like to go back and investigate what has happened in the city since the statue's removal, and how Denton's promises to its Black population have held up in the past year. I have already secured an interview with Mr. Hudspeth and have several sources that can speak to Denton’s Black history and the history of this statue.<br><br>I am a writer in Nashville but am a Central Texan by birth and previously lived in Denton for twelve years where I watched Willie’s never-ending fight. My stories and essays all feature aspects of Texas, most notably my piece <a href="https://therumpus.net/2020/11/save-st-marks/" target="_blank" rel="nofollow noopener noreferrer" style="color:#0e8ac4 !important;">"Save St. Marks" in The Rumpus</a> about the tax fight to save La Grange's failing rural hospital, and <a href="https://readwildness.com/11/bubert-trees" target="_blank" rel="nofollow noopener noreferrer" style="color:#0e8ac4 !important;">“Dead Trees” published with wildness</a> that detailed the 2011 wildfires in Bastrop.</p><p class="" style="color:inherit;margin-bottom:1.25em;font-size:1em;line-height:1.618em;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;">You can see more of my featured clips here: <a href="https://allthingswords.com/clips" target="_blank" rel="nofollow noopener noreferrer" style="color:#0e8ac4 !important;">https://allthingswords.com/clips</a></p><p class="" style="color:inherit;margin-bottom:1.25em;font-size:1em;line-height:1.618em;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;">Links to all my published stories and essays are here: <a href="https://allthingswords.com/publications" target="_blank" rel="nofollow noopener noreferrer" style="color:#0e8ac4 !important;">https://allthingswords.com/publications</a><br><br>Would Insider be interested in commissioning this piece?</p><p class="" style="color:inherit;margin-bottom:1.25em;font-size:1em;line-height:1.618em;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;">(Spoiler alert: They commissioned it.) </p><p style="color:inherit;font-size:1em;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.94;margin-top:0pt;margin-bottom:0pt;" class=""><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Relationship with editor: </span></strong> None. This was a cold pitch. She did tell me that it was clear from my pitch that I had storytelling ability and the clips I provided proved to her that I could deliver. </p><p style="color:inherit;font-size:1em;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.94;margin-top:0pt;margin-bottom:0pt;" class=""><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Response time from editor: </span></strong> She answered my pitch two days after I sent it. We then went back and forth on email for the next two weeks trying to firm up pay and details. Eventually, we hopped on the phone to get it sorted. </p><p style="color:inherit;font-size:1em;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.94;margin-top:0pt;margin-bottom:0pt;" class=""><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Overall timeline: </span></strong>I pitched this piece in mid-March, had it fully accepted and contract signed in late April, did my writing and back and forth editing (many phone calls!) in May, and it published in June, just in time for the anniversary of the statue’s removal. <strong><br><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Total rejections received before an acceptance:</span></strong> Pitched it to 6 places over the course of a year before it got picked up. <br><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Pay:</span> </strong> $1/word at 2,584 words. You read that right. ;) <br></p><p style="color:inherit;font-size:1em;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.94;margin-top:0pt;margin-bottom:0pt;" class=""><a href="https://www.businessinsider.com/a-21-year-protest-to-take-down-a-confederate-monument-in-texas-2021-6" target="" rel="nofollow noopener noreferrer" style="color:#0e8ac4 !important;">Read it here.</a></p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;font-weight:normal;margin-bottom:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;">(P.s. If you liked this pitch story, consider taking my Pitch Perfect class with The Porch in September! In person in Nashville. <a href="https://www.porchtn.org/class/pitch-perfect-writing-for-publication" target="" rel="nofollow noopener noreferrer" style="color:#0e8ac4 !important;">Sign up here.</a>)</p>
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      <h3 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:1.776889em;mso-line-height-alt:1.776889em;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:0em;">Must-Read Resource: <a href="https://countercraft.substack.com/p/everything-ive-learned-about-being" target="" rel="nofollow noopener noreferrer" style="color:#0e8ac4 !important;">“Everything I’ve Learned About Being a ‘Professional’ Writer” by Lincoln Michel</a></h3><p class="" style="color:inherit;margin-bottom:1.25em;font-size:1em;line-height:1.618em;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;">So this is less of a resource and more of just a whole pep talk article in one place. Plus, it’s part of Lincoln Michel’s Substack newsletter so maybe hit the subscribe button for full Writer Resource effect. </p><p class="" style="color:inherit;margin-bottom:1.25em;font-size:1em;line-height:1.618em;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;">This article has it all. Solid advice, literally everything I would tell a person who came to me with any question about the business of writing. I have many favorite parts but these two nuggets sum it up: </p><blockquote style="padding-left:20px;padding-right:20px;"><p class="" style="color:inherit;margin-bottom:1.25em;font-size:1em;line-height:1.618em;font-weight:normal;margin-top:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;">“You may never know what opportunities will open up or where your interests might lead. Perhaps you got an MFA in poetry, but will end up being a movie critic. Maybe you wanted to write experimental literary novels, but end up writing <a href="http://hachettebookgroup.com/titles/lincoln-michel/the-body-scout/9780316628716/" rel="nofollow" style="color:#0e8ac4 !important;"><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">weird science fiction</span></a> (*looks around awkwardly*). Maybe you’ll be happier writing children’s books than memoirs, or editing at a big press instead of writing at all. I graduated from an MFA over a decade ago, and my peers have all gone on wildly different paths. The ones who are happiest, I think, embraced the opportunities that opened up to them.” </p><p class="" style="color:inherit;margin-bottom:1.25em;font-size:1em;line-height:1.618em;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;">…</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;font-weight:normal;margin-bottom:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;">“<strong>Persist, Persist, Persist. </strong>I’m repeating myself but it’s important. Keep at it! The writers who succeed in my experience are the ones who submit constantly, who start the next novel when the current one is rejected, who keep querying. I might go so far as to say that persistence is&nbsp;<em>the&nbsp;</em>most important trait for an author. Many poems are published after dozens of rejections. Many novels are bought after dozens of rejections. Many authors have abandoned books in their drawers (or rather files in their hard drive) before their debut. Keep going. Never stop. Persist, persist, persist.” </p></blockquote><p class="" style="color:inherit;font-size:1em;line-height:1.618em;font-weight:normal;margin-bottom:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;"><a href="https://countercraft.substack.com/p/everything-ive-learned-about-being" target="" rel="nofollow noopener noreferrer" style="color:#0e8ac4 !important;">Read the whole article here. </a></p>
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